Songs for a desert island

Marco Castelli_saxophones:::Marco Ponchiroli_piano

Listen 'Songs for a desert island' on Spotify

From the album notes:
Songs for a Desert Island is an extraordinary work. We are not just listening to excellent musicians playing good music but to a production that blends high-level research with a performance style rich not only in taste and elegance but also in brilliant insights. Saxophonist Marco Castelli and pianist Marco Ponchiroli have embarked on an intense and evocative journey through some of the greatest composers of the 18th, 19th, and 20th centuries. After a long exploration, the two musicians selected twelve pieces, compositions of various genres, differing in time and geographic origin. The performances reveal two strong artistic personalities and a sort of elective affinity, developed through numerous collaborations and shared projects. The music effortlessly shifts from Beethoven to Chopin, from Tchaikovsky to Schumann, from Scriabin to Verdi, from Händel to Ellington, from Jobim to Piazzolla, from Morricone to John Williams. The duo's jazz is evocative and lyrical, unafraid to borrow pieces from European classical traditions, famous soundtracks, or the great South American music, with one exception—the magnificent but seldom played Ellington theme, "Azure."
Songs for a Desert Island is ultimately a visionary production, the result of a search for a consistent sonic and expressive dimension that eliminates the differences in space, time, and genre of the chosen pieces, in
troducing continuous variations in harmonic, rhythmic, and narrative elements—always inspired, never gratuitous or conventional. It is an album to treasure and take with you, each to their own desert island

'Space Age'
Marco Castelli New Organ Trio


from my liner notes:

It is, after all, always "the space age". From Galileo to Salgari or from Apollo 11 to Perseverance, the urge to imagine or explore other places in our reality has always been a necessity. In music, too, it is always "the space age". Imaging and exploring other places and newworlds is a state of artistic necessity which becomes nourishment, good "fuel", a state of the being that makes us live in a positive tension with music-making. In composing or improvising, this "lifeblood" is necessary to be effective and able to convey emotion. The aim of this album was originally to bring back the history and content of a few years of concerts, but, due to the forced stop brought on by the pandemic, it took on a different form. It was created through long streaming sessions - Marco Vattovani (my travel companion, not only as a drummer) in his Bunker Studio in Trieste and myself in Venice. Paradoxically, the 'suspended time' of quarantine projected us into research and exploration of other spaces. We worked by letting ideas flow freely, experimenting with solutions, playing with electronics and developing, thanks to the contribution of Matteo Alfonso at the Hammond, the possibility of a new sound for an Organ Trio.
Enjoy listening!

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© Edu Hebling, 2005. All rights reserved